orse sex! If you’re
caught up on “Silicon Valley,” HBO’s comic guide to the latest tech
bubble, you know about a new entry in the corporate-intimidation
playbook: forcing a recalcitrant employee to watch thoroughbreds mate.
Such is the punishment of Richard Hendricks, the meek engineer-founder
of the data-compression startup Pied Piper. At the end of the second
season, Richard is booted by his investors from the C.E.O. seat; now, as
the third season begins, he has been replaced with the middle-aged,
horse-breeding, folksy-seeming “Action Jack” Barker, and moved to a
technical role. In last Sunday’s episode, the sales team tells Richard
that Jack has gutted his product in the name of future revenue, and
Richard storms off to confront Jack, who’s out at the local stables.
“Excuse me,” he yells, upon entering the barn. “Oh, mother of God.”
There’s Jack with his arms crossed, and there’s a muscular white
stallion, rubbing his cricket bat of a penis against the haunch of
Jack’s “No. 1 breeding mare,” as the aggrieved brown horse is described.
“Thoroughbreds,” Jack sighs.
Since “Silicon Valley” débuted, in 2014, its creators have not shied away from dis
to render the Valley with accuracy. The show’s humor derives from its
candor about the slog toward three-comma riches: everyone is on a
spectrum, claims to be bettering the world, drives a Chevy Volt. Yet if
the stables seem a fitting backdrop for an altercation between Richard
and Jack—and they do—it’s for metaphorical reasons. As the only full-on sex act
so far in “Silicon Valley,” it represents the consummation of a
demeaning partnership, the financial one between all-business Jack and
idealistic Richard. Also noteworthy: the sex is straight, in a show that
until now has been very, very gay.
“Silicon
Valley” asks what happens to a generation of straight dudes who are
surrounded only by other straight dudes and try their hardest to produce
a brainchild. The result, at least in the early phases of Piped Piper,
is a kind of communitarian gay paradise. Even after it is funded, the
startup seems to have only three female employees: Jack’s two
secretaries and a saleswoman (who calls herself “Jan the Man”). This is
hardly surprising, rrrty
in the real Silicon Valley are men. But it is intriguing that the men
understand their work in terms of reproductive potential. (“Me and my
product feel pretty fucking compromised right now,” Richard tells Jack
in the stables.) As Andrew Sullivan wrote in “Virtually Normal,” his
1995 book about homosexuality, those with a “literal inability to have
children” tend to possess “an extraordinary desire to beget figurative
children: in the teaching professions, the arts, the military, political
and intellectual life, areas where the talents of a person freed from
genetic family obligations can be used to enrich the social family at
large—especially its future generations.”
Sullivan
could be summarizing the ethos of Silicon Valley, where straight men
mature alongside the startups that they parent together. The first
season of the HBO series is an account of tech pubescence, that time of
life when programmers, gawky but ambitious, figure out how to wield
their power or prowess. The four original employees of Pied Piper meet
while living together in a misbegotten “incubator,” run out of a Palo
Alto ranch house by Erlich Bachman, a lion-maned has-been entrepreneur.
Their collaboration blooms in this sublimated gay setting. When Dinesh,
the Pakistani-born coder, gets a hard-on, it’s not for the woman who has
asked him up to her hotel room but for a script that is displayed on
her laptop—to the coder’s great shame, it turns out to be the work of
his brogrammer buddy Gilfoyle. After a setback at the startup tournament
TechCrunch Disrupt, the boys return to their hotel and cheer themselves
up by working out the most efficient way to administer hand jobs to
every audience member. At first they’re just joking around, filling a
whiteboard with exuberant red formulae and phalli, but then Richard
finds himself so inspired that he runs next door to write the code for a
groundbreaking algorithm called “middle-out,” which gives Pied Piper
its funding legs. The incubator works.
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